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Natalia Valencia

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Natalia Valencia
(b. 1984, Bogotá, Columbia, lives and works in Mexico City, Mexico)




Natalia Valencia is an independent curator based in Mexico City. She has collaborated with institutions such as Museo de Arte Moderno MAMM in Medellín, L'appartement 22 in Rabat, CAPC Museum in Bordeaux, Palais de Tokyo in Paris, Museo Quinta de Bolívar in Bogotá, Proyectos Ultravioleta in Guatemala. She is a former editor of Terremoto Magazine in Mexico and she worked as fellow researcher of Latin American art at Centre Pompidou in Paris in 2013.





Residency: January 22 - March 5, 2018
Supported by: The Agency of Cultural Affairs (Bunkacho)
Event: RADIO RABATOKYO Live Streaming
Date: Friday, March 2, 2018 / 18:30 - 19:30 (17:30 Door open)
Venue: SodaCCO


Installation view, "Los Multinaturalistas", Museo de Arte Moderno de Medellin, 2017, curated by Natalia Valencia



Installation view "Serpientes, Aurora Pellizzi", L' appartement 22, Rabat, Morocco, 2016, curated by Natalia Valencia



Terremoto #8 "La Vida Eterna", Mexico City, 2016, edited by Natalia Valencia


2018-1-23

Sara Ouhaddou

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Sara Ouhaddou
(b. 1986 in Paris, lives and works in Paris, France)




Born in France in a traditional Moroccan family and graduated from the École Olivier De Serres in Paris. Sara Ouhaddou's dual culture informs her practice as a continuous cultural and anthropological dialogue, questioning the transformations of her heritage. Ouhaddou strikes a balance between traditional Moroccan art forms and the conventions of contemporary art, aiming to place artistic creation's in forgotten cultural continuities into new perspectives.

She has exhibited at numerous group exhibitions extensively and art festivals such as "Islamic Art festival" (Sharja Art Museum, Sharjah, 2017), "Crafts Becomes Modern!", (Bauhaus Dessau Fondation, Germany, 2017), "Lettres ouvertes" (Institut des Cultures d'Islam, France, 2017-18), "Marrakech Biennale" (Morocco, 2016). Solo exhibitions include, "IMPRESSION//IMPRESSION" (Morocco, 2017) and "Wasalnalilio/On en set arrive là" (Polaris Gallery, France, 2017).

The award received include Arab Fund for Art and Culture grant and One Percent contemporary art NYC, Little Syria project. She has taken part in artist-residencies at L'appartement 22, Rabat, Morocco, Edge Of Arabia ISCP residency, New-York (2015) among others.

Website






Residency: January 15, 2018 - March 12, 2018
Supported by: The Agency of Cultural Affairs (Bunkacho)
Event: RADIO RABATOKYO Live Streaming
Date: Friday, March 2, 2018 / 18:30 - 19:30 (17:30 Door open)
Venue: SodaCCO


Stained glass Installation, 2017 / Photo by Marc Domage



Stained glass Installation, 2017 / Photo by Marc Domage



Ourika Road, White Clay, 2016 / Photo by Marwen Farhat


Green Titaween, Silk embroidery, 2013 / Photo by Rebecca Fanuele


Wassalna Lilo, woven cotton, Tanger, 2016 / Photo by Sara Ouhaddou

2018-1-23

Marina Višić

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Marina Višić
(b. 1987 in Roermond, works and lives in Tilburg, The Netherlands)




In 2016, Marina Višić obtained an MFA at the Slade School of Fine Art, London. At her degree show presentation, she received the Jeanne Szego prize for the imaginative use of colour. Her solo shows include "SPHERE. (AFTER A PAUSE)", (2016, Kers Gallery, Amsterdam) and "Myriade" (2013, Noordbrabants Museum, 's-Hertogenbosch). Her works are also exhibited in the group shows at The Crypt Gallery, London UK (2017), Kers Gallery, Amsterdam NL (2017), Anise Gallery, London UK (2016). Višić trained as an assistant curator at SEA Foundation, a non-profit artist project space and AiR (Artist-in-Residence program) in The Netherlands. She currently works independently as a curator and project manager, organising exhibitions, symposia and publications.
In her work, Višić investigates how a variety of textures and movements can be placed into the landscape of the moving image. The video pieces rethink the bodily experience and give the sensation of being lost and immersed. Staging is important as well as the scale of the images and their relation to the body. The work is presented as an object in a constant motion, rather than a time based video carrying a narrative. The initial objects and materials in the work undergo is a transformation. The real into the virtual and back to the real - portal - something mundane propelled into the stardom, becoming part of a fantastical realm, turning the virtual into the palpable.
The core of her residency at AIT is formed by architectural and geographical references from Junichiro Tanizaki's "In Praise of Shadows" and the films of Akira Kurosawa. These are the driving forces for her research of both modern and traditional elements of Japanese aesthetics concerning light, shadow, movement, materials and surfaces.

Website





Residency: January 10 - April 7, 2018
Co-organized by Mondriaan Fonds
Event: AIT ARTIST TALK #73 "Low Relief / Unreal Estate"
Artist Talk by Marina Višić and Ksenia Galiaeva from the Netherlands

Date: Tuesday, February 27, 2018
Time: 19:00 - 21:00 (18:30 Door open)
Venue: Daikanyama AIT Room


Oriel (2016), Video loop triptych on screens



Oriel (still image, 2016), Video loop triptych on screens



Penumbrae (2016), Video loop projection on reflector stand



Myriade (2013), Thread installation, 1100 x 250 cm


2018-1-11