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Maki Nishida

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Maki Nishida (Born in Fukuoka, Japan)





Nishida received her BA in History of Art and Aesthetics at Keio University in Tokyo and earned MA in History of Art in University College London. Since 2007 in England, she has continuously explored her carrier with working at various institutions such as art university, museum, gallery and consultancy for collectors, which eventually deepened her knowledge to overlook art scenes from different perspectives both from public and private sectors. In April 2016, she has resided herself back in Japan and was appointed as an assistant curator at Aichi Triennale 2016 to work with many international artists. She also works as an independent curator aside from her extended skills in writings and translation.

At Tabakalera, Nishida focuses on the backbone to the renowned food culture in San Sebastian, conducting her research on Txoko; the 'Gentlemen's cooking club' that played an integral role in the community and culture of the city, particularly under the Franco regime. Through the act of gathering and forming a community with a strong connection with food in a particular context, she also refers the reflection in the contemporary society where everything tends to be politicised and depoeticised.



Residency: November 28, 2016 - December 25, 2016
Organized by Arts Initiative Tokyo [AIT], TABAKALERA International Centre for Contemporary Culture
Supported by BASQUE INSTITUTE ETXEPARE, ACCIÓN CULTURAL ESPAÑA (AC/E), EU JAPAN FEST, the Agency for Cultural Affairs Fovernment of Japan in the fiscal 2016

2016-12- 1

Haizea Barcenilla

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Haizea Barcenilla (Born in San Sebastián, Spain)




Barcenilla is an art critic, curator and art history lecturer at the University of the Basque Country. Her research revolves around two axes of interest: on the one hand, the ideas of public and common, and how they can influence curatorial practice and artistic research; on the other one, the revisitation of history from a gender point of view.

She has written extensively on both topics, including a PhD about curating and the commons, and also curated and produced various artworks and exhibitions. The recent ones are framed in the New Patrons scheme, in which she helped develop and produce the publication Manual de Uso by artist Andrea Acosta about the Zorrozaurre neighborhood in Bilbao, and the video Andrekale by Señora Polaroiska, with the collaboration of Tabakalera, for the town of Hernani.

Her project research for Tokyo through the residency, entitled the eventual common, consists in a research of the way in which public space is understood, enacted and performed in Japan, specially through the social organization of "Machizukuri". She would like to link this performative quality to the idea of the commons, and to see how artists and curators are working with this kind of practices and uses of space.







Residency: December 4, 2016 - December 31, 2016
Organized by Arts Initiative Tokyo [AIT], TABAKALERA International Centre for Contemporary Culture
Supported by BASQUE INSTITUTE ETXEPARE, ACCIÓN CULTURAL ESPAÑA (AC/E), EU JAPAN FEST, the Agency for Cultural Affairs Fovernment of Japan in the fiscal 2016

Curator Talk: "AIT SLIDE TALK #34 "Can we curate commons?"
Wednesday, December 21, 2016 at Daikanyama AIT Room


Haizea 1
Manual de Uso Project by Andrea Acosta in Sala Rekalde, Bilbao. New Patrons program, 2014. Photo by Andrea Acosta

Haizea 2
Presentation of Andrekale by Señora Polaroiska in Tabakalera. New Patrons program, 2015. Photo by Señora Polaroiska

Haizea 3
Presentation of Andrekale by Señora Polaroiska in Hernani. New Patrons program, 2016. Photo by Señora Polaroiska

2016-12- 1